This little gem about two vampires struggling with their immortality is probably one of the best films to ever run at Cannes (usually a sure sign that I won’t like them). Tom Hiddleston as depressed musician and Tilda Swinton as his slightly more life-affirming wife were delightful (though a bit mismatched as a couple), and Mia Wasikowska’s little sister was just so incredibly annoying in an impressive way. The script was captivating and gently ironic, but also thought-provoking. I especially liked that Adam and Eve where still treating each other with genuine love and so much respect, even after all this time, while also giving each other space. A perfect, mature model relationship without unnecessary drama.
Because the entire film was shot at night, the atmosphere stayed gloomy throughout, which was helped along by the great locations they selected. Sets and costumes looked fabulous, sort of dated and post-modern at the same time. The actors were given very long takes to work with, which lead to some great material that mercifully wasn’t sacrificed to the efficient editing.
The only thing missing was a clear story arc, which led to a slight slump in tension in the middle, once the obvious mystery was revealed and no goals manifested. Still 4/5
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